The final section will study the fetishism of language, resulting in isolation from self. Translated by Leon S Roudiez, Columbia Univ. acute attempt to expel the scum from our being (Kristeva, Powers of Horror. However, there can be no escape from the symbolic order, and the conventions of suburbia are maintained. For Julia Kristeva, the intolerable, or abject, body leaks wastes and fluids. Julia Kristeva, and the short story Attractive Modern Homes, by Elizabeth. Within these, the abject is portrayed as a pantomime of death, bound to the confrontation with mortality. These events will be explored as examples of Kristeva's “primal repressions.” The second section will explore the abject and the emergence of the Real, focusing on moments of abjection in the sources. Instead, it is only when an event penetrates boredom that this state can be recognized and radicalized. This article will suggest that boredom itself cannot be perceived as a state. The first section will examine boredom as a modern phenomenon, developed from the ennui of the cities as a coping mechanism for suburbia. The focus will be on the theories of Julia Kristeva, and the short story “Attractive Modern Homes,” by Elizabeth Bowen, the novel Revolutionary Road by Richard Yates, and Blue Velvet, directed by David Lynch. This article will apply a psychoanalytical reading to suburbia, claiming that boredom is the trigger of abjection.
0 Comments
Leave a Reply. |